Abstract
<p> Inhumanities is an unprecedented account of the ways Nazi Germany manipulated and mobilized European literature, philosophy, painting, sculpture, and music in support of its ideological ends. David B. Dennis shows how, based on belief that the Third Reich represented the culmination of Western Civilization, culture became a key propaganda tool in the regime's program of national renewal and its campaign against political, national, and racial enemies. Focusing on the daily output of the Völkischer Beobachter, the party's official organ and the most widely-circulating German newspaper of the day, he reveals how activists twisted history, biography, and aesthetics to fit Nazism's authoritarian, militaristic, and anti-Semitic worldviews. Ranging from National Socialist coverage of Germans such as Luther, Dürer, Goethe, Beethoven, Wagner, and Nietzsche to 'great men of the Nordic West' such as Socrates, Leonardo, and Michelangelo, he reveals the true extent of the regime's ambitious attempt to reshape the 'German mind'. <ul> <li> </li> <li> The first comprehensive survey of the ways the Nazi party appropriated major figures of the Western cultural tradition </li> <li> Traces the Nazi party's efforts to convince Germans that Nazism offered cultural advancement as well as political leadership </li> <li> Reveals how high culture was used to justify the elimination of enemies of the Volk </li> </ul></p>
Original language | American English |
---|---|
Publisher | Cambridge University Press |
Number of pages | 541 |
ISBN (Electronic) | 9781139104180 |
ISBN (Print) | 9781107020498 |
DOIs | |
State | Published - Jan 1 2012 |
ASJC Scopus Subject Areas
- General Arts and Humanities
Keywords
- Nazi Interpretations of Abraham
- Nazi Interpretations of Franz Adam
- Nazi Interpretations of Emma Adler
- Nazi Interpretations of Victor Adler
- Nazi Interpretations of Alexander the Great
- Nazi Interpretations of Dante Alighieri
- Nazi Interpretations of Alighieri Dante and politics
- Nazi Interpretations of All Quiet on the Western Front
- Nazi Interpretations of All Quiet on the Western Front film
- Nazi Interpretations of Albrecht Altdorfer
- Nazi Interpretations of Albrecht Altdorfer and 'Volkishness'
- Nazi Interpretations of Albrecht Altdorfer and anti-Semitism
- Nazi Interpretations of Max Amann
- Nazi Interpretations of Thomas Aquinas
- Nazi Interpretations of Ernst Moritz Arndt
- Nazi Interpretations of Bettina von Arnim
- Nazi Interpretations of Ludwig von Arnim
- Nazi Interpretations of Saul Ascher
- Nazi Interpretations of Johann Sebastian Bach
- Nazi Interpretations of Bach and 'Germanness'
- Nazi Interpretations of Bach and 'Volkishness'
- Nazi Interpretations of Bach and politics
- Nazi Interpretations of Bach and the Third Reich
- Nazi Interpretations of Bach in Weimar era
- Nazi Interpretations of Bach in wartime
- Nazi Interpretations of Hermann Bahr
- Nazi Interpretations of Henri Barbusse
- Nazi Interpretations of Bela Bartok
- Nazi Interpretations of Wolf von Baudissin
- Nazi Interpretations of Bauhaus
- Nazi Interpretations of Bayreuth festival
- Nazi Interpretations of Johann van Beethoven
- Nazi Interpretations of Johanna van Beethoven
- Nazi Interpretations of Ludwig van Beethoven
- Nazi Interpretations of Weimar-era reception of Beethoven
- Nazi Interpretations of Beethoven and 'Germanness'
- Nazi Interpretations of Beethoven and politics
- Nazi Interpretations of Beethoven and the French Revolution
- Nazi Interpretations of Beethoven and the Third Reich
- Nazi Interpretations of Beethoven and war
- Nazi Interpretations of Walter Benjamin
- Nazi Interpretations of Richard Benz
- Nazi Interpretations of Otto von Bismarck
- Nazi Interpretations of Georges Bizet
- Nazi Interpretations of Bjoernstjerne Bjoernson
- Nazi Interpretations of Leo Blech
- Nazi Interpretations of Napoleon Bonaparte
- Nazi Interpretations of Johanna Brahms
- Nazi Interpretations of Brahms Johannes
- Nazi Interpretations of Brahms and 'Germanness'
- Nazi Interpretations of Brahms and 'Volkishness'
- Nazi Interpretations of Brahms and Wagner
- Nazi Interpretations of Brahms and anti-Semitism
- Nazi Interpretations of Brahms and politics
- Nazi Interpretations of Brahms and religion
- Nazi Interpretations of Berthold Brecht
- Nazi Interpretations of Arno Breker
- Nazi Interpretations of Clemens Brentano
- Nazi Interpretations of Max Brod
- Nazi Interpretations of Anton Bruckner
- Nazi Interpretations of Jacob Burckhardt
- Nazi Interpretations of Hans Burgkmair
- Nazi Interpretations of George Gordon Byron
- Nazi Interpretations of George Gordon Byron and anti-Semitism
- Nazi Interpretations of George Gordon Byron and politics
- Nazi Interpretations of Arnold Böcklin
- Nazi Interpretations of Jakob Böhme
- Nazi Interpretations of Ludwig Börne
- Nazi Interpretations of Augustus Caesar
- Nazi Interpretations of History of Carthage
- Nazi Interpretations of Cato
- Nazi Interpretations of Houston Stewart Chamberlain
- Nazi Interpretations of Houston Stewart Chamberlain and anti-Semitism
- Nazi Interpretations of Houston Stewart Chamberlain as volkish leader
- Nazi Interpretations of Houston Stewart Chamberlain on Goethe
- Nazi Interpretations of Houston Stewart Chamberlain on Heine
- Nazi Interpretations of Adelbert von Chamisso
- Nazi Interpretations of Charles III
- Nazi Interpretations of Nicolaus Copernicus
- Nazi Interpretations of Lovis Corinth
- Nazi Interpretations of Gustave Courbet
- Nazi Interpretations of Lukas Cranach
- Nazi Interpretations of Oliver Cromwell
- Nazi Interpretations of Gabriele D'Annunzio
- Nazi Interpretations of Charles G. Dawes
- Nazi Interpretations of Claude Debussy
- Nazi Interpretations of René Descartes
- Nazi Interpretations of Deutschlandlied
- Nazi Interpretations of Charles Dickens
- Nazi Interpretations of Heinz Drewes
- Nazi Interpretations of Alfred Döblin
- Nazi Interpretations of Albrecht Dürer
- Nazi Interpretations of Albrecht Dürer and 'Volkishness'
- Nazi Interpretations of Albrecht Dürer and classicism
- Nazi Interpretations of Albrecht Dürer and politics
- Nazi Interpretations of Albrecht Dürer and war
- Nazi Interpretations of Dietrich Eckart
- Nazi Interpretations of Johann Peter Eckermann
- Nazi Interpretations of Joseph von Eichendorff
- Nazi Interpretations of August Eigruber
- Nazi Interpretations of Albert Einstein
- Nazi Interpretations of Kurt Eisner
- Nazi Interpretations of Expressionism
- Nazi Interpretations of Otto Falckenberg
- Nazi Interpretations of Heinrich August Hoffmann von Fallersleben
- Nazi Interpretations of Anselm Feuerbach
- Nazi Interpretations of Johann Gottlieb Fichte
- Nazi Interpretations of Walter Flex
- Nazi Interpretations of Henry Ford
- Nazi Interpretations of Robert Franz
- Nazi Interpretations of Gustav Freytag
- Nazi Interpretations of Wilhelm Frick
- Nazi Interpretations of Ernst Friedrich
- Nazi Interpretations of Friedrich II
- Nazi Interpretations of Friedrich Wilhelm III
- Nazi Interpretations of Friedrich Wilhelm IV
- Nazi Interpretations of Theodore Fritsch
- Nazi Interpretations of Bernhard Förster
- Nazi Interpretations of Elisabeth Förster-Nietzsche
- Nazi Interpretations of Galileo
- Nazi Interpretations of Alberto Gasco
- Nazi Interpretations of Emanuel von Geibel
- Nazi Interpretations of Lloyd George
- Nazi Interpretations of Stefan George
- Nazi Interpretations of Hellmut von Gerlach
- Nazi Interpretations of Fritz Geyer
- Nazi Interpretations of Ludwig Geyer
- Nazi Interpretations of Christoph Willibald Gluck
- Nazi Interpretations of Ernst Gläser
- Nazi Interpretations of Arthur de Gobineau
- Nazi Interpretations of Joseph Goebbels
- Nazi Interpretations of Goebbels on 'Volkishness'
- Nazi Interpretations of Goebbels on 'steel' Romanticism
- Nazi Interpretations of Goebbels on All Quiet on the Western Front
- Nazi Interpretations of Goebbels on Beethoven
- Nazi Interpretations of Goebbels on Mozart
- Nazi Interpretations of Goebbels on Richard Strauss
- Nazi Interpretations of Goebbels on Wagner
- Nazi Interpretations of Goebbels on art as political
- Nazi Interpretations of Goebbels on cultural renaissance
- Nazi Interpretations of Goebbels on culture in wartime
- Nazi Interpretations of Goebbels on romantic music
- Nazi Interpretations of Johann Wolfgang von Goethe
- Nazi Interpretations of Goethe Faust
- Nazi Interpretations of Goethe Weimar-era reception of
- Nazi Interpretations of Goethe and 'Germanness'
- Nazi Interpretations of Goethe and Romanticism
- Nazi Interpretations of Goethe and anti-Semitism
- Nazi Interpretations of Goethe and classicism
- Nazi Interpretations of Goethe and politics
- Nazi Interpretations of Goethe and the French Revolution
- Nazi Interpretations of Goethe and the Third Reich
- Nazi Interpretations of Goethe and war
- Nazi Interpretations of Francisco Goya
- Nazi Interpretations of Paul Graener
- Nazi Interpretations of Edvard Grieg
- Nazi Interpretations of Franz Grillparzer
- Nazi Interpretations of Franz Grillparzer and anti-Semitism
- Nazi Interpretations of Franz Grillparzer and politics
- Nazi Interpretations of Wilhelm Karl Grimm
- Nazi Interpretations of George Grosz
- Nazi Interpretations of Matthias Grünewald
- Nazi Interpretations of Matthias Grünewald and war
- Nazi Interpretations of Hermann Göring
- Nazi Interpretations of Knut Hamsun
- Nazi Interpretations of Hannibal
- Nazi Interpretations of Eduard Hanslick
- Nazi Interpretations of Maximilian Harden
- Nazi Interpretations of Gerhart Hauptmann
- Nazi Interpretations of Gustav Havemann
- Nazi Interpretations of Joseph Haydn
- Nazi Interpretations of Friedrich Hebbel
- Nazi Interpretations of Johann Peter Hebel
- Nazi Interpretations of Georg Wilhelm Friedrich Hegel
- Nazi Interpretations of Heinrich Heine
- Nazi Interpretations of Heinrich Heine as Jewish enemy
- Nazi Interpretations of Heinrich Heine monuments honoring
- Nazi Interpretations of Johann Gottfried Herder
- Nazi Interpretations of Theodor Herzl
- Nazi Interpretations of Heinrich Himmler
- Nazi Interpretations of Paul Hindemith
- Nazi Interpretations of Paul von Hindenburg
- Nazi Interpretations of Emil Hipp
- Nazi Interpretations of Adolf Hitler
- Nazi Interpretations of Hitler on 'Germanness' and creativity
- Nazi Interpretations of Hitler on 'Volkishness'
- Nazi Interpretations of Hitler on First World War experience
- Nazi Interpretations of Hitler on Wagner
- Nazi Interpretations of Hitler on anti-Semitism
- Nazi Interpretations of Hitler on art as political
- Nazi Interpretations of Hitler on classicism
- Nazi Interpretations of Hitler on cultural politics
- Nazi Interpretations of Hitler on cultural renaissance
- Nazi Interpretations of Hitler on ideal of Kultur
- Nazi Interpretations of Hitler on modernism
- Nazi Interpretations of Hitler on propaganda methods
- Nazi Interpretations of Julius Hitzig
- Nazi Interpretations of E. T. A. Hoffmann
- Nazi Interpretations of Hugo von Hofmannsthal
- Nazi Interpretations of Hans Holbein
- Nazi Interpretations of Homer
- Nazi Interpretations of Horace
- Nazi Interpretations of Wilhelm von Humboldt
- Nazi Interpretations of Engelbert Humperdinck
- Nazi Interpretations of Georg Friedrich Händel
- Nazi Interpretations of Georg Friedrich Händel and 'Germanness'
- Nazi Interpretations of Georg Friedrich Händel and 'Volkishness'
- Nazi Interpretations of Georg Friedrich Händel and politics
- Nazi Interpretations of Georg Friedrich Händel and the Third Reich
- Nazi Interpretations of Georg Friedrich Händel and war
- Nazi Interpretations of Friedrich Hölderlin
- Nazi Interpretations of Friedrich Hölderlin and classicism
- Nazi Interpretations of Henrik Ibsen
- Nazi Interpretations of Impressionism
- Nazi Interpretations of Leos Janacek
- Nazi Interpretations of Joseph Joachim
- Nazi Interpretations of Joan of Arc
- Nazi Interpretations of Hanns Johst
- Nazi Interpretations of Jonny spielt auf
- Nazi Interpretations of Joseph II
- Nazi Interpretations of Ernst Jünger
- Nazi Interpretations of Georg Kaiser
- Nazi Interpretations of Wassily Kandinsky
- Nazi Interpretations of Immanuel Kant
- Nazi Interpretations of Hugo Kehrer
- Nazi Interpretations of Johannes Kepler
- Nazi Interpretations of Alfred Kerr
- Nazi Interpretations of Leo Kestenberg
- Nazi Interpretations of Soren Kierkegaard
- Nazi Interpretations of Erich Kleiber
- Nazi Interpretations of Heinrich von Kleist
- Nazi Interpretations of Heinrich von Kleist and classicism
- Nazi Interpretations of Heinrich von Kleist and war
- Nazi Interpretations of Otto Klemperer
- Nazi Interpretations of Max Klinger
- Nazi Interpretations of Friedrich Gottlieb Klopstock
- Nazi Interpretations of Friedrich August Klöber
- Nazi Interpretations of Erich Koch-Weser
- Nazi Interpretations of Oskar Kokoschka
- Nazi Interpretations of Erich Wolfgang Korngold
- Nazi Interpretations of Graf A. E. von Kozmian
- Nazi Interpretations of Clemens Krauss
- Nazi Interpretations of Ernst Krenek
- Nazi Interpretations of Werner Kulz
- Nazi Interpretations of Theodor Körner
- Nazi Interpretations of Carl Laemmle
- Nazi Interpretations of Paul de Lagarde
- Nazi Interpretations of Julius Langbehn
- Nazi Interpretations of Gottfried Wilhelm Leibniz
- Nazi Interpretations of Nikolaus Lenau
- Nazi Interpretations of Franz von Lenbach
- Nazi Interpretations of Vladimir Ilyich Lenin
- Nazi Interpretations of Gotthold Ephraim Lessing
- Nazi Interpretations of Robert Ley
- Nazi Interpretations of Max Liebermann
- Nazi Interpretations of Charles Lindbergh
- Nazi Interpretations of Adam Liszt
- Nazi Interpretations of Anna Liszt
- Nazi Interpretations of Franz Liszt
- Nazi Interpretations of Liszt Franz and 'Germanness'
- Nazi Interpretations of Livy Nazi Interpretations of Graf Heinrich von Loeben
- Nazi Interpretations of Albert Lortzing
- Nazi Interpretations of Heinrich Luden
- Nazi Interpretations of Erich Ludendorff
- Nazi Interpretations of Hellmut Ludwig
- Nazi Interpretations of Ludwig I
- Nazi Interpretations of Ludwig II
- Nazi Interpretations of Ludwig
- Nazi Interpretations of Martin Luther
- Nazi Interpretations of Luther Martin and anti-Semitism
- Nazi Interpretations of Luther Martin and politics
- Nazi Interpretations of Luther Martin and the Third Reich
- Nazi Interpretations of Machiavelli Niccolo
- Nazi Interpretations of Gustav Mahler
- Nazi Interpretations of Heinrich Mann
- Nazi Interpretations of Julia Mann
- Nazi Interpretations of Klaus Mann
- Nazi Interpretations of Thomas Mann
- Nazi Interpretations of Ernst Marcus
- Nazi Interpretations of Christopher Marlowe
- Nazi Interpretations of Martial
- Nazi Interpretations of Karl Marx
- Nazi Interpretations of Wilhelm Marx
- Nazi Interpretations of Maximilian I
- Nazi Interpretations of May Karl
- Nazi Interpretations of Friedrich Meinecke
- Nazi Interpretations of Eckhart Meister
- Nazi Interpretations of Felix Mendelssohn
- Nazi Interpretations of Moses Mendelssohn
- Nazi Interpretations of Adolph Menzel
- Nazi Interpretations of Klemens von Metternich
- Nazi Interpretations of Giacomo Meyerbeer
- Nazi Interpretations of Michelangelo
- Nazi Interpretations of Michelangelo as Nordic
- Nazi Interpretations of Darius Milhaud
- Nazi Interpretations of Molière
- Nazi Interpretations of Walter von Molo
- Nazi Interpretations of Montesquieu
- Nazi Interpretations of Anna Maria Mozart
- Nazi Interpretations of Leopold Mozart
- Nazi Interpretations of Wolfgang Amadeus Mozart
- Nazi Interpretations of Mozart and 'Germanness'
- Nazi Interpretations of Mozart and 'Volkishness'
- Nazi Interpretations of Mozart and Romanticism
- Nazi Interpretations of Mozart and politics
- Nazi Interpretations of Mozart and the Third Reich
- Nazi Interpretations of Mozart and war
- Nazi Interpretations of Edvard Munch
- Nazi Interpretations of Benito Mussolini
- Nazi Interpretations of Modest Mussorgsky
- Nazi Interpretations of Eduard Mörike
- Nazi Interpretations of Friedrich von Müller
- Nazi Interpretations of Wilhelm Müller
- Nazi ideology and 'Volkishness'
- Nazi ideology and 'steel' Romanticism
- Nazi ideology and Weimar culture and politics
- Nazi ideology and anti-Semitism
- Nazi ideology and classicism
- Nazi ideology and cultural renaissance
- Nazi ideology and culture as political
- Nazi ideology and culture in wartime
- Nazi ideology and gender
- Nazi ideology and music
- Nazi ideology and the Enlightenment
- Nazi ideology and the First World War
- Nazi ideology and the French Revolution
- Nazi ideology and volkish leaders
- Nazi ideology anti-French Revolution
- Nazi ideology anti-modernism
- Nazi ideology on 'Germanness' and creativity
- Nazi ideology on ideal of Kultur
- Nazi Interpretations of Isaac Newton
- Nazi Interpretations of Georg Nicolai
- Nazi Interpretations of Friedrich Nietzsche
- Nazi Interpretations of Nietzsche and 'Germanness'
- Nazi Interpretations of Nietzsche and Wagner
- Nazi Interpretations of Nietzsche and anti-Semitism
- Nazi Interpretations of Nietzsche and classicism
- Nazi Interpretations of Nietzsche and politics
- Nazi Interpretations of Nietzsche and religion
- Nazi Interpretations of Nietzsche and war
- Nazi Interpretations of Rikard Nordraak
- Nazi Interpretations of Carl Orff
- Nazi Interpretations of Luca Orsini-Baroni
- Nazi Interpretations of Thomas Paine
- Nazi Interpretations of Giovanni Palestrina
- Nazi Interpretations of M. Paradopoulos
- Nazi Interpretations of Johann Heinrich Pestalozzi
- Nazi Interpretations of Petronius
- Nazi Interpretations of Hans Pfitzner
- Nazi Interpretations of Pablo Picasso
- Nazi Interpretations of Wilhelm Pinder
- Nazi Interpretations of Plautus
- Nazi Interpretations of Giacomo Puccini
- Nazi Interpretations of Wilhelm Raabe
- Nazi Interpretations of Leopold Radoux
- Nazi Interpretations of Raphael
- Nazi Interpretations of Maurice Ravel
- Nazi Interpretations of Realism
- Nazi Interpretations of Max Reger
- Nazi Interpretations of Max Reinhardt
- Nazi Interpretations of Erich Maria Remarque
- Nazi Interpretations of Rembrandt
- Nazi Interpretations of Rembrandt and 'Germanness'
- Nazi Interpretations of Rembrandt and war
- Nazi Interpretations of Ludwig Renn
- Nazi Interpretations of Joachim von Ribbentrop
- Nazi Interpretations of Jean Paul Richter
- Nazi Interpretations of Leni Riefenstahl
- Nazi Interpretations of Rainer Maria Rilke
- Nazi Interpretations of Arthur Rimbaud
- Nazi Interpretations of Maximilien Robespierre
- Nazi Interpretations of Franklin Roosevelt
- Nazi Interpretations of Alfred Rosenberg
- Nazi Interpretations of Alfred Rosenberg on Beethoven
- Nazi Interpretations of Alfred Rosenberg on Eckart
- Nazi Interpretations of Alfred Rosenberg on Goethe
- Nazi Interpretations of Alfred Rosenberg on Heine
- Nazi Interpretations of Alfred Rosenberg on Krenek
- Nazi Interpretations of Alfred Rosenberg on Leonardo
- Nazi Interpretations of Alfred Rosenberg on Luther
- Nazi Interpretations of Alfred Rosenberg on Michelangelo
- Nazi Interpretations of Alfred Rosenberg on Nietzsche
- Nazi Interpretations of Alfred Rosenberg on Richard Strauss
- Nazi Interpretations of Alfred Rosenberg on volkish leaders
- Nazi Interpretations of Jean-Jacques Rousseau
- Nazi Interpretations of Philipp Otto Runge
- Nazi Interpretations of Paul Rée
- Nazi Interpretations of Friedrich Rückert
- Nazi Interpretations of Camille Saint-Saëns
- Nazi Interpretations of Moritz Saphir
- Nazi Interpretations of Franz Schauwecker
- Nazi Interpretations of Gustav Scheel
- Nazi Interpretations of Franz Wolfram Scherer
- Nazi Interpretations of Friedrich Schiller
- Nazi Interpretations of Schiller Weimar-era reception of
- Nazi Interpretations of Schiller and 'Volkishness'
- Nazi Interpretations of Schiller and politics
- Nazi Interpretations of Schiller and the French Revolution
- Nazi Interpretations of Schiller and the Third Reich
- Nazi Interpretations of Schiller and war
- Nazi Interpretations of Max von Schillings
- Nazi Interpretations of Anton Schindler
- Nazi Interpretations of August Wilhelm Schlegel
- Nazi Interpretations of Friedrich Schleiermacher
- Nazi Interpretations of Andreas Schlüter
- Nazi Interpretations of Arthur Schnitzler
- Nazi Interpretations of Arnold Schoenberg
- Nazi Interpretations of Arthur Schopenhauer
- Nazi Interpretations of Schopenhauer and anti-Semitism
- Nazi Interpretations of Schopenhauer and politics
- Nazi Interpretations of Schopenhauer and war
- Nazi Interpretations of Franz Schreker
- Nazi Interpretations of Franz Schubert
- Nazi Interpretations of Robert Schumann
- Nazi Interpretations of Georg von Schönerer
- Nazi Interpretations of Georg Schünemann
- Nazi Interpretations of Heinrich Schütz
- Nazi Interpretations of Scipio the Younger
- Nazi Interpretations of William Shakespeare
- Nazi Interpretations of Shakespeare and anti-Semitism
- Nazi Interpretations of Shakespeare and politics
- Nazi Interpretations of Shakespeare as Nordic
- Nazi Interpretations of Jean Sibelius
- Nazi Interpretations of Emmanuel Joseph Sièyes
- Nazi Interpretations of Fritz Skowronnek
- Nazi Interpretations of Max Slevogt
- Nazi Interpretations of Bedrich Smetana
- Nazi Interpretations of Socrates
- Nazi Interpretations of Albert Speer
- Nazi Interpretations of Oswald Spengler
- Nazi Interpretations of Baruch Spinoza
- Nazi Interpretations of Joseph Stalin
- Nazi Interpretations of Charlotte von Stein
- Nazi Interpretations of Heinrich von Stein
- Nazi Interpretations of Theodor Storm
- Nazi Interpretations of Johann Strauss Jr.
- Nazi Interpretations of Johann Strauss Sr.
- Nazi Interpretations of Richard Strauss
- Nazi Interpretations of Igor Stravinsky
- Nazi Interpretations of Adolf Stöcker
- Nazi Interpretations of The Threepenny Opera
- Nazi Interpretations of Hans Thoma
- Nazi Interpretations of Ludwig Thoma
- Nazi Interpretations of Dorothea Tieck
- Nazi Interpretations of Ludwig Tieck
- Nazi Interpretations of Titian
- Nazi Interpretations of Ernst Toller
- Nazi Interpretations of Leo Tolstoy
- Nazi Interpretations of Theodor Trebe
- Nazi Interpretations of Heinrich von Treitschke
- Nazi Interpretations of Sigrid Undset
- Nazi Interpretations of Emile Vanderwelde
- Nazi Interpretations of Jacob Venedey
- Nazi Interpretations of Giuseppe Verdi
- Nazi Interpretations of Virgil
- Nazi Interpretations of Walther von der Vogelweide
- Nazi Interpretations of Walther Vogelweide von der and politics
- Nazi Interpretations of Voltaire
- Völkischer Beobachter Cultural-political functions of
- Völkischer Beobachter History of
- Völkischer Beobachter Staff and contributors
- Nazi Interpretations of Cosima Wagner
- Nazi Interpretations of Richard Wagner
- Nazi Interpretations of Wagner and 'Germanness'
- Nazi Interpretations of Wagner and 'Volkishness'
- Nazi Interpretations of Wagner and anti-Semitism
- Nazi Interpretations of Wagner and politics
- Nazi Interpretations of Wagner and the Third Reich
- Nazi Interpretations of Wagner and war
- Nazi Interpretations of Wagner on Bach
- Nazi Interpretations of Wagner on Beethoven
- Nazi Interpretations of Wagner on Heine
- Nazi Interpretations of Wagner on Mozart
- Nazi Interpretations of Wagner reception of operas
- Nazi Interpretations of Wagner stature in Nazi culture
- Nazi Interpretations of Siegfried Wagner
- Nazi Interpretations of Winifred Wagner
- Nazi Interpretations of George Washington
- Nazi Interpretations of Carl Maria von Weber
- Nazi Interpretations of Franz Wedekind
- Nazi Interpretations of Kurt Weill
- Nazi Interpretations of Otto Weininger
- Nazi Interpretations of Karl Friedrich Weiss
- Nazi Interpretations of Franz Werfel
- Nazi Interpretations of Oscar Wilde
- Nazi Interpretations of Wilhelm I
- Nazi Interpretations of Wilhelm II
- Nazi Interpretations of J. J. Winckelmann
- Nazi Interpretations of Hugo Wolf
- Nazi Interpretations of Ermanno Wolf-Farrari Nazi Interpretations of Ludwig Woltmann
- Nazi Interpretations of Hans von Wolzogen
- Nazi Interpretations of Carl Friedrich Zelter
- Nazi Interpretations of Emile Zola
- Nazi Interpretations of Carl Zuckmayer
- Nazi Interpretations of Stefan Zweig
- Nazi Interpretations of Lorenzo da Ponte
- Nazi Interpretations of Leonardo da Vinci
- Nazi Interpretations of Leonardo da Vinci as Nordic
- Nazi Interpretations of Moeller van den Bruck
- Nazi Interpretations of Georg von der Vring
Disciplines
- European History
- Arts and Humanities
- History